Pianoforte Works

STUDIES

136. Etude en 48 exercises dans tous les tons majeurs et mineurs. 1826; only 12 were written. Cf. 137-9.

137. 24 Grandes Etudes. 1837; from 136. Only 12 were written.

138. Mazeppa. c. 1840 (?) from 137, 4. (S.W.: sketched 1829)

139. Etudes d’execution transcendante. 1851; from 138-8. Cf. 100.

1. Preludio.

2. A Minor.

3. Paysage.

4. Mazeppa.

5. Feux follets.

6. Vision.

7. Eroica.

8. Wilde Jagd.

9. Ricordanza.

10. F minor.

11. Harmonies du soir.

12. Chasseneige.

140. Etudes d’execution transcendante d’apres Paganini. 1838; cf. 141.

1. G minor.

2. E flat major.

3. La Campanella.

4. E major.

5. La Chasse.

6. Theme and Variations.

141. Grandes Etudes de Paganini. 1851, from 140.

142. Morceau de Salon, Etude de Perfectionnement. 1840; cf. 97, 143.

143. Ab Irato. Etude de Perfectionnement de la Methode des methodes. 1852, from 142.

144. 3 Etudes de Concert.

1. A flat major.

2. F minor.

3. D flat major. C. 1848. (Sometimes known as II lamento, La leggierezza, Un sospiro.)

145. 2 Concert Studies.

1. Waldesrauschen.

2. Gnomenreigen. 1862-3.

146. Technical Studies (12 books). 1868 to c. 1880.

VARIOUS ORIGINAL WORKS

147. Variation on a waltz by Diabelli. 1822.

148. Huit Variations. C. 1824.

149. Sept Variations brillantes sur un theme de G.Rossini. C. 1824.

150. Impromptu brillant sur des themes de Rossini et Spontini. 1824.

151. Allegro di bravura. 1824. Rondo di bravura. 1824. Scherzo i n G minor. 1827.

154. Harmonies poetiques et religieuses. 1834. Cf. 173, 4. (S. W . : 1833; rev.? 1835).

155. Apparitions.

1. Senza lentezza quasi Al legretto.

2. Vivamente.

3. Molto agitato ed appassionato. 1834; 3 on a waltz of Schubert; cf. 427, 4.

156. Album d’un voyageur. 1835-6; cf. 157, 160. (S. W . : finished 1838.) (Lyon, L. S. II.)

I . Impressions et poesies.

1. Lyon. 2a Le Lac de Wallenstadt. 2b. Au bord d’une source. 3. Les cloches de G… 4. Vallee d’Oberman. 5. La Chapelle de Guillaume Tell. 6. Psaume.

II. Fleurs melodiques des Alpes.

7a. Allegro. 7b. Lento. 7c. Allegro pastorale. 8a. Andante con sentimento. 8b. Andante molto espressivo. 8c. Allegro moderate 9a. Allegretto. 9b. Allegretto. 9c. Andantino con molto sentimento.

III. Paraphrases.

10. Improvisata sur le Ranz de Vaches de Ferd. Huber. 11. Un soir dans les montagnes. 12. Rondeau sur le Ranz

de Chevres de Ferd. Huber.

157. Fantaisie. romantique sur deux melodies suisses 1835; cf. 156, 7b.

158. Tre Sonetti del Petrarca, 1st version. C. 1839 (?), from 270; cf. 161, 4-6.

159. Venezia e Napoli, 1st version. 1. Lento. 2. Allegro. 3. Andante placido. 4. Tarantelles napolitaines. C. 1840; cf. 96, 162. (S. W .: 1840).

160. Annees de pelerinage. Premiere annee; Suisse. 7. 1836; the rest, 1848-54, from 156.

1. Chapelle de Guillaume Tell.

2. Au Lac de Wallenstadt.

3. Pastorale.

4. Au bord d’une source.

5. Orage.

6. Vallee d’Obermann.

7. Egloque.

8. Le mal du pays.

9. Les cloches de Geneve.

161. Annees de pelerinage. Deuxieme Annee; Italie.

1. Spozalizio.

2. II Penseroso.

3. Canzonetta del Salvator Rosa.

4. Sonetto 47 del Petrarca.

5. Sonetto 104 del Petrarca.

6. Sonetto 123 del Petrarca.

7. Apres une lecture de Dante, Fantasia quasi Sonata. 1, 2, 1838-9; 3. 1849; 4-6, from 158, after 1846; 7 sketched 1837, rev. 1849. (S. W . : sketches autumn 1839)

162. Venezia e Napoli. Supplement aux Annees de pelerinage, 2e volume. 1859, from 159, 3 and 4. 1. Gondoliera. 2. Canzone. 3. Tarantella.

163. Annees de pelerinage. Troisieme Annee.

1. Angelus! Priere aux anges gardiens.

2. Aux cypres de la Villa d’Este, Threnodie I.

3. Aux cypres de la Villa d’Este, Threnodie II.

4. Les Jeux d’eaux a la Villa d’Este.

5. Sunt lacrymae rerum, en mode hongrois.

6. Marche funebre.

7. Sursum corda. 1-4, 1877. 5, 1872. 6, 1867. 7, 1877.

164. Albumblatt in E. C. 1841; from 210.

165. Feuilles d’album in A flat. 1841.

166. Albumblatt in waltz form. 1842. Cf. 212.

167. Feuille d’album i n A minor. C. 1843; from 274.

168. filegie sur des motifs du Prince Louis-Ferdinand de Prusse 1842.

169. Romance. 1848; cf. 132, 527. From 301a.

170. Ballade No. 1 in D flat. 1845-8.

171. Ballade No. 2 in B minor. 1853.

171a Madrigal. (Earlier version of 172, 5).

172. Consolations. 1849-50.

173. Harmonies poetiques et religieuses.

1. Invocation.

2. Ave Maria.

3. Benediction de Dieu dans la solitude.

4. Pensee des morts.

5. Pater noster.

6. Hymne de l’enfant a son reveil.

7. Funerailles, Oct. 1849.

8. Miserere, d’apres Palestrina.

9. Andante lagrimoso.

10. Cantique d’amour. 3 sketched 1845; the rest 1847-52; 2 from 20, 4 from 154 and 691; 5 from 21, 2; 6

from 19.

174. Berceuse; 1st version 1854; 2nd version 1862.

175. Legendes.

1. St. Francois d’Assise. La Predication aux oiseaux.

2. St. Francois de Paule marchant sur les flots. 1863, at latest; of 4, 28, 354, 119/a, orig. for orch.

176. Grosses Konzertsolo. C. 1849. Cf. 258, 365.

177. Scherzo and March. 1851.

178. Sonata in B minor. 1852-3. (S. W. 1851- 1853)

179. Weinen, Klagen, Sorgen, Zagen; Prelude after J. S. Bach. 1859; cf. 180.

180. Variations on the theme of Bach—Basso continuo of the first movement of his cantata Weinen, Klagen, Sorgen, Zagen, and of the Crucifixus o f the B minor Mass. 1862.

181. Sarabande and Chaconne from Handel’s opera Almira. (S. W . : not an orig. work).

182. Ave Maria for the piano school of Lebert and Stark (The Bells of Rome). 1862.

183. Alleluja et Ave Maria (d’Arcadelt). 1862; 1 on themes from 4.

184. Urbi et or bi . Benediction papale. 1864.

185. Vexilla regis prodeunt. 1864.

186. Weihnachtsbaum. Arbre de Noel. 1874-6.

1. Psallite.

2. O heilige Nacht!

3. Die Hirten an der Krippe. Adeste fideles.

5. Scherzoso.

6. Carillon.

7. Schlummerlied.

8. Altes provengalisches Weihnachtslied.

9. Abendglocken.

10. Ehemals! (Jadis). Ungarisch.

12. Polnisch.

187. Sancta Dorothea. 1877.

187a Resignazione. 1877.

188. In festo transfigurationis Domini nostri Jesu Christi. 1880.

189. Piano piece in A flat. 1866.

190. La Marquise de Blocqueville. Portrait en musique. 1868.

191. Impromptu. 1872. (Also new version as Nocturne).

192. Five little piano pieces (for Baroness von Meyendorff). 1, 2, 1865; 3, 1873; 4, 1876; 6, (Sospiri) 1879. 1, cf. 308.

193. Klavierstiick in F sharp major. (In L.’s late years.)

194. Mosonyi’s Grabgeleit. Mosonyi gyaszmenete. 1870.

194a Chorales. End of the 1870s. Cf. 50.

1. Crux ave benedicta.

2. Jesu Christe.

3. Meine Seel’ erhebt den Herrn.

4. Nun danket alle Gott!

5. Nun ruhen alle Walder.

6. O Haupt voll Blut und Wunden.

7. O Lamm Gottes!

8. O Traurigkeit.

9. Vexilla regis.

10. Was Gott tut, das ist wohlgetan.

11. Wer nur den lieben Gott lasst walten.

195. Dem Andenken Petofis. (Petofi szellemenek.) 1877;cf. 349.

196. (First) Elegy. 1874, from 130.

197. Second Elegy. 1877; cf. 131.

197a. Toccata. 1879.

197b. Carrousel de Mme Pelet-Narbonne. 1875-1881.

198. Wiegenlied (Chant du berceau). 1881; cf. 107, 133.

199. Nuages gris. 1881.

200. La Lugubre Gondola. (2 versions.) 1882; cf. 134.

201. R. W.—Venezia. 1883.

202. Am Grabe Richard Wagners. 1883; cf. 135, 267.

203. Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab). 1883.

204. Recueillement. ( In L.’s last years.)

205. Historische ungarische Bildnisse Final version: 1885. 7.: 1870, 5.: 1873, 6.: 1874, 1,2, 3, 4.: 1885, 3.: cf. 206; 6, 7.: cf. 195, 194.

1. Istvan Szechenyi.

2. Ferenc Deak.

3. Laszlo Teleki.

4. Jozsef Eotvos.

5. Mihaly Vorosmarty.

6. Sandor Pet6fi.

7. Mihaly Mosonyi.

206. TrauervorspielundTrauermarsch. 1885. Cf. 205, 3.

207. En rSve. Nocturne.

208. Unstern. Sinistre. Disastro. (In L.’s last years.)

208a. Valse. 1822-1823.

208b. Valse in A . 1822-1823.

209. Grande Valse die Bravura (1st version). 1836; cf. 214, 1.

210. Valse melancolique (1st version). 1839. Cf. 214, 2.

211. Landler in A flat. 1843.

212. Petite Valse favorite. 1842. Cf. 166, 213.

213. Valse Impromptu. C. 1850, from 212.

214. Trois Caprices—Valses. C. 1850; 1 from 209, 2 from 210, 3 from 401.

215. 4 valses oubliees. 1881-5.

216. Mephisto Waltz No. 3. 1883.

216a. Bagatelle sans tonalite. (Mephisto Waltz No. 4.) 1885.

216b. Mephisto Waltz No . 4. 1885.

217. Mephisto Polka. 1883.

218. Galop in A minor. 1841 (?)

219. Grand Galop chromatique. 1838.

220. Galop de Bal. C. 1840.

221-222. Mazurka brillante. 1850.

223. 2 Polonaises.

1, C minor.

2, E major. 1851.

224. Csardas macabre. 1881-1882.

225. 2 Csardas.

1, Allegro.

2, Csardas obstine. 1884.

226. Festvorspiel—Prelude. 1856, as Preludio pomposo.

227. Festmarsch zur Saecularfeier von Goethe’s Geburtstag (1st version). 1849; cf.; 115.

228. Huldingungsmarsch. 1853.

229. Vom Fels zum Meer. Deutscher Siegesmarsch. 1853-6.

230. Biilow-Marsch. 1883.

231. Heroischer Marsch im ungarischen Styl. 1840. Cf. 103.

232. Seconde Marche hongroise. Ungarischer Sturmmarsch (1st version). 1844; cf. 119.

233. Ungarischer Geschwindmarsch. Magyar Gyors indulo. 1870.

233a. Siegesmarsch. Marche Triomphale. C. 1870. (S. W . : 1882).

233b. Ungarischer Marsch. E flat minor.

WORKS ON NATIONAL THEMES

Austrian

233c. Tyrolean Melody. 1856 (?) cf. 733.

Czech

234. Hussitenlied of the 15th century. 1840. (Melody by Krov, 1797-1859).

English

235. God Save the Queen. 1841.

French

236. Faribolo Pastour and Chanson du Beam. 1844.

237. La Marseillaise. Cf. 690. Pub. 1872.

238. La cloche sonne. C. 1850.

239. Vive Henri IV. C. 1870-80.

German

240. Gaudeamus igitur. Concert paraphrase. 1843; separate work from 71.

Hungarian

241. Two movements of Hungarian character (Zum Andenken). 1828.

242. A. Magyar Dallok. Ungarische Nationalmelodien. 1839-47. (S. W . : 1840).

Book I.

1. Lento.

2. Andantino.

3. Sehr langsam.

4. Animato (cf. 243, 2, and 244, 6).

5. Tempo giusto (cf. 243, 1, and 244, 6).

6. Lento (cf. 244, 5).

Book II.

7. Andante cantabile (cf. 244, 4).

Book III.

8. Lento.

9. Lento.

Book IV.

10. Adagio sostenuto a capriccio (cf. 244, 15).

11. Andante sostenuto (cf. 243, 3, and 244, 3 and 6). B. Magyar Rhapsodiak. Rhapsodies Hongroises.

Book V.

12. Mesto (herolde elegiaque) (cf. 244, 5).

Book VI.

13. Tempo di Marcia (cf. 244, 15).

Book VII.

14. Lento a capriccio (cf. 244,11).

Book VIII.

15. Lento, Tempo e stilo zingarese (cf. 244, 7).

Book IX.

16. E major (cf. 244,10).

Book C.

17. Andante sostenuto (cf. 244,13). C.

18. Adagio (cf. 244, 12).

19. Lento patetico (cf. 244, 8).

20. Allegro vivace (cf. 244, 6 and 12).

21. Tempo di marcia funebre (cf. 244, 14).

243. Ungarische Nationalmelodien.

1 from 242, 5;

2 from 242, 4;

3 from 242, 11. C. 1840. Cf. 244, 6.

244. Hungarian Rhapsodies.

1. Lento, quasi Recitativo. 1846.

2. Lento a capriccio. 1847.

3. Andante. From 242, 11.

4. Quasi Adagio, altieramente. From 242, 7.

5. Heroide elegiaque. Lento con duolo. From 242, 12; cf. 242, 6.

6. Tempo giusto. From 242, 4, 5, 11, 20; cf. 243.

7. Lento. From 242, 15.

8. Lento a capriccio. From 242, 19.

9. Pester Karneval. Moderato (2 versions). 1848.

10. Preludio. From 242, 16.

11. Lento a capriccio. From 242, 14.

12. Mesto. From 242, 18 and 20.

13. Andante sostenuto. From 242, 17.

14. Lento quasi marcia funebre. From 242, 21. Cf. 123.

15. Rakoczi March. 1st version from 242, 10 and 13. 2nd version from 117. Simplified version 1852, from 1st version.

16. Allegro. 1882.

17. Lento. C. 1883 (?).

18. Lento. 1885.

19. Lento. 1885, after the Csardas nobles of Abranyi. 245. 5 Hungarian folk songs, transcribed for pf. C. 1873.

246. Puszta-Wehmut. A Puszta Reserve. (In L.’s last years.)

Italian

247. La romanesca. 1839.

248. Canzone Napolitana. 1842.

Polish

249. Glanes de Woronince. 1. Ballade d’Ukraine (Dumka). 1. Melodies polonaises. 2. Complainte (Dumka). 1847-8. 2, cf. 480, 1.

Russian

250. Deux Melodies russes. Arabesques.

1. Le Rossignol, air russe d’Alabieff.

2. Chanson bohemienne. 1842.

251. Zum Abschied. Russisches Volkslied. 1885.

251a. Variation on the Chopsticks theme. 1880, for the collection of Borodin, Cui, Liadov and Rimsky-Korsakov.

Spanish

252. Rondeau fantastique sur un theme espagnol. El Contrabandista. 1836.

253. Grosse Konzertfantasie iiber Spanische Weisen. 1845.

254. Rhapsodie espagnole. Folies d’Espagne et Jota aragonesa. C. 1863; one theme in common with 253.

PIANOFORTE, FOUR HANDS

255. Festpolonaise. 1876, for the marriage of Princess Marie of Saxony.

256. Notturno (E major). From 158. (arr. Gottschalg).

TWO PIANOFORTES

257. Grosses Konzertstiick iiber Mendelssohns Lieder ohne Worte. 1834.

258. Concerto pathetique. 1856 (at latest) from 176.